Campaigns
Nine collections. Each one a full kit — hero film, stills, and social crops — ready for a drop, a lookbook, or an affiliate week.
Campaign 01 · Summer drop
Shot against open water and a hard noon sun. Côte Azure is how Eclipz sells summer without shouting — powder blue against turquoise, a floral dress that moves, a muse who looks like she actually wanted to be there. Built for brands that ship linen, swim-modest, and holiday sets.
Campaign 02 · Work wardrobe
Lydia Farida in a powder-blue silk blouse with a long tie, grey trousers, and a compact cream bag. This is the campaign for workwear houses, modest office labels, and product launches that need polish rather than costume. Full-length, studio-clean, ready to pair with a product cut-out.
Campaign 03 · Festive / bridal-adjacent
Built for festive calendars, Raya and Eid drops, and houses that sell blush without sliding into costume. Lydia Farida moves through a rose set — a hand to the hijab, a touch to the cheek, a calm full look against arches — then steps onto a palm-lined street in the same colour. Studio and daylight, one muse.
Campaign 04 · Everyday
The most useful campaign in the house. Neutral hijab, gathered sleeve, a turn toward camera. Stone Quiet is how Eclipz talks to everyday modest labels — no occasion required, no festival attached. Just a face, a fabric, and enough stillness to let the garment speak.
Campaign 05 · Launch closer
The closer. Lilac Air is motion and intimacy — a flowing hijab, embroidered neckline, a finger-heart that reads on a phone in under a second. For product drops that need a last frame people save. Lydia Farida looks directly at the cart.
Campaign 06 · Evening polish
Shot in a marble hall with chandelier light. Marble Hour is how Eclipz dresses a product launch, a hotel drop, or a bag that needs evening rather than beach. Lydia Farida walks the corridor, holds a finger-heart, and stands still long enough for the gold to do the work. Four films. One colour story.
Campaign 07 · Daywear
Lifestyle without the catalogue. Café Day puts Lydia at a table, at a window, in a room with cups and wood and unhurried light — the set product houses actually want. Five films from seated to standing, ready to pair with a bottle, a bag, or a modest day dress.
Campaign 08 · Outdoor day
Open air without a beach. Court Cream is modest daywear moving through arches and garden light — the film for labels that live between indoor polish and resort. Six walks and portraits. Same muse, cream on cream, heat of the afternoon held still.
Campaign 09 · Studio colour
A new colourway with the same bone structure. Jade Atelier is for houses that need a festive-adjacent green without leaving the studio — draped, turned, held. Cut from the August reel, built as its own kit so a brand can brief emerald the way they already brief blush.
The reels
18 cuts · loops on view
August reel
60s
House reel · Lobby, jade, courtyard — the house edit.
Through the lobby
25s
Marble Hour · A 25-second walk in gold light.
Spark gold
15s
Marble Hour · Finger-heart, chandelier, cream dress.
Held
15s
Marble Hour · Hands clasped. Evening still, in motion.
Gold light
15s
Marble Hour · A smile against the marble.
Table
20s
Café Day · Seated. The lifestyle film.
Day room
15s
Café Day · Standing in the warm interior.
Cup light
15s
Café Day · Window, wood, an unhurried turn.
Turn
15s
Café Day · A glance for the product cut-in.
Window
15s
Café Day · Full look against the room.
Walk the court
15s
Court Cream · Cream dress, open air, a measured pace.
Arch
15s
Court Cream · Under the arcade.
Portrait garden
15s
Court Cream · Held between the palms.
Palm air
15s
Court Cream · A slight turn in garden light.
Cream hour
15s
Court Cream · The colour of an unhurried afternoon.
Court close
15s
Court Cream · A closer frame. Heat of the day.
Palm street
15s
Blush House · Blush House, taken outside.
Emerald drape
20s
Jade Atelier · Studio colour, cut from the August reel.